Oddly post-apocalyptic vibe in places, notably 41-46 with the wreckage in the background. I got a weird feeling that the photographer mostly did landscapes, and didn't know (for instance) that you really should use a longer lens, lower the camera, and stand back when shooting a nude of someone standing. The short lens close in makes for some interesting foreshortening effects in (for instance) 69, but overall, it's almost like, "Man, I was shooting this great canyon and industrial scrap, but then this naked woman photobombed me."
Base +11, Mitch Connor +12, montes +12, Mallorea541 +1, every0ne2 +2, antne -2